CategoryTitlePublisherYear
academic publicationnon academic publicationaudio workstalk workshop interview
SL
Listening as Relation, an Invocation
CTM Festival: Discourse Series – Critical Modes of Listening
2021
SL
To tend for, to care with: three pieces on listening as method. Part 3: Listening as Taking-Leave
Seedbox Environmental Humanities Lab
2021
EC
To undo nature; on refusal as return
Transmediale
2021
EC
Artist interview: Radio Web MACBA (Son[i]a #314)
Barcelona Museum of Contemporary Art
2020
EC
Ecofascism and Nature is Healing
Heart of Glass
2020
EC
Eulogy for the Handfish
The Parallel Effect
2020
EC
From environmental case study to environmental kin study
History and Theory
2020
SL
Invocation (For Z)
Touch Compass and Auckland Live
2020
EC
Listening to Ecocide
Sonic Acts
2020
EC
Tarawa Night Song
Museum of Modern Art, Warsaw
2020
SL
To tend for, to care with: three pieces on listening as method. Part 1: Listening as Coming-To
Seedbox Environmental Humanities Lab
2020
SL
To tend for, to care with: three pieces on listening as method. Part 2: Listening as Being-With
Seedbox Environmental Humanities Lab
2020
SL
Undertow
Klosterruine Berlin
2020
EC
Un-ear-thing | Unwanted
Liquid Architecture
2020
EC
Weaponizing ecocide: Nauru, offshore incarceration, and environmental crisis
The Contemporary Pacific
2020
EC
Mining the Deep
Queensland Art Gallery and Gallery of Modern Art
2019
SL
Sonifying the world
Sounding Place
2019
EC
Submerged
Arts Centre Melbourne
2019
SG
Transversal geo-politics: Sound as violence
Transversal Geographies
2019
EC
Climate change: Nauru’s life on the frontlines
The Conversation
2018
EC
Cooperating at the Frontlines of Climate Change: An interview with AM Kanngieser
Mediapart
2018
EC
Environmental Art
Companion to Environmental Studies
2018
EC
In the Eye of the Storm
Reina Sofia Museum of Contemporary Art
2018
EC
In sonic defiance of extinction
Transmediale Magazine
2018
EC
Research interview: Pacific Mornings (ABC Australia)
ABC Australia
2018
EC
Research interview: Pacific Beat (ABC Australia)
ABC Australia
2018
EP
Introduction to Podcasting Manual
untitled
2018
EC
Artist feature: Not waving but drowning
The Wire - Adventures in Sound and Music
2018
EC
Artist interview: What does the end of the world sound like? Artist interview
Outline Magazine
2018
EC
Amplification//Annihilation
Resonance FM
2017
EC
Beholder Halfway: Field Recording and Pop Music
Resonance FM
2017
SL
Artist interview: Four questions on field recording
Engraved Glass Publishing
2017
SL
Listening geographies: Landscape, affect and geotechnologies.
Progress in Human Geography
2017
EC
On track to what? Colonialism, climate change and COP23
Red Pepper Magazine
2017
EC
Overcoming abstractions, invisibilities and distance: Artful engagements with climate change
WIREs Climate Change
2017
LSO
Reading Deborah Cowen's "The Deadly Life of Logistics: Mapping Violence in Global Trade"
Political Geography
2017
EC
Refusing the world: Silence, commoning, and the Anthropocene
South Atlantic Quarterly
2017
LSO
A brief proposition toward a sonic geo-politics
Journal of Sonic Studies
2016
EC
And Then The Sea Came Back
Soundproof ABC Radio National
2016
EC
Beholder Halfway: Climate, Capitalism and Crisis
Resonance FM
2016
SL
Of What is Heard and Not Heard
Errant Bodies
2016
EC
A Story of Extinction
Liquid
Architecture
2015
SG
For a politics of atmospheric governance
Dialogues in Human Geography
2015
SL
Geopolitics and the Anthropocene: Five propositions for sound
Geohumanities
2015
EC
Listening to the Anthropocene: Sound and Ecological Crisis
Liquid
Architecture
2015
EC
Orbis
Emergent Ecologies
2015
SL
Field-Recording: Bellbirds, Melbourne Zoo
Untitled
2014
LSO
Research interview: ‘Hierarchy’ The Forum (BBC World Service/ BBC Radio 4)
BBC World Service/ BBC Radio 4
2014
EC
Sound and the City
Natural History Museum
2014
LSO
What is a research platform? Mapping methods, mobilities and subjectivities
Media, Culture and Society
2014
EP
A micro-history of ‘convivial’ radio in Japan
Parallax
2013
SL
Dirty Ear Forum
Errant Bodies
2013
EP
Experimental Politics and the Making of Worlds
Routledge
2013
EP
Introduction: What moves us? Affective micropolitics in art and activism
Parallax
2013
LSO
Research interview: 'Tracking and Surveillance’ The Forum (BBC World Service/ BBC Radio 4)
BBC World Service/ BBC Radio 4
2013
SG
Tracking and tracing: Geographies of logistical governance and labouring bodies
Environment and Planning D
2013
EP
And…and…and…The transversal politics of performative encounters
Deleuze Studies
2012
LSO
Collaboration, competition, aspiration: Creative labour in Shanghai
Subjectivity
2012
EP
Towards a careful listening
Minor Compositions
2012
EP
Towards a Careful Listening: Sound, Gender, Feminism, Activism
Sound: Gender: Feminism: Activism/ Her Noise Archive
2012
SL
A sonic geography of the voice: Towards an affective politics
Progress in Human Geography
2011
EP
Catalyst radio: Towards a radical UK internet radio network
Sourcefabric
2011
SL
Field-Recording: In Dreams, Hamburg
Untitled
2011
SL
Your Voice is a Suspension of Time
New Adventures in Sound Art
2011
SL
Field-Recording: Yuen Po Bird Garden, Hong Kong
Untitled
2010
EP
Breaking out of the specialist “ghetto”
Thamyris/
Intersecting
2010
LSO
Reporting on City is Ours Housing Campaign, Naarm/ Melbourne
Dissident Island
2010
EP
Cultural workers, throw down your tools, the Metropolis is on strike
Myrdle Court Press
2010
EP
Future functions: Aspiration, desire and futures
Blood and Thunder Press
2010
EP
Interview with Japanese radio maker Tetsuo Kogawa
Dissident Island Radio
2010
LSO
Reporting on Education Cuts, London
Dissident Island Radio, Resonance FM, 3CR Melbourne
2010
LSO
Reporting on Right to Work Campaign, London
Dissident Island
2010
LSO
The antagonistic university?
The Sociological Imagination
2010
EC
Reporting on 15th Climate Change Conference, Copenhagen
Dissident Island and Resonance FM
2009
EP
Vocabulaboratories
Vocabulaboratories
2009
EP
Gestures of everyday resistance: The significance of play and desire in the Umsonst politics of collective appropriation
Translate
2007
EP
Negotiating speech and organizational practices: Field notes and reflections from two counter-G8 (2007) initiatives
Mute
2007
EP
Reporting on Pirate Radio, Naarm/ Melbourne
Untitled
2007
The question of authenticity in 1960s — 1970s Californian body art: Posing a challenge to a concept of presence
Australasian Drama Studies
2004